Inspired by the timeline used by Editor Eddie Hamilton ACE did on Mission: Impossible - Fallout, this template includes 23 video tracks and 23 audio tracks, is available in 1-screen and 2-screen versions, and comes with custom layout and bin layout. Editing timeline for 'Deadpool' (2016) Credit: Vashi Visuals This little-known trick will save you tons of time when you're navigating your editing timeline. One beautiful, glorious day, NLEs will be able to read our minds and complete tasks without even a twitch from our tingling hands that are suffering in silence within the deepest part of the Carpal Tunnel.
- Deadpool Premiere Pro Timeline Maker
- Deadpool Premiere Pro Timeline Download
- Deadpool Premiere Pro Timeline Creator
- Deadpool Premiere Pro Timeline After Effects
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Deadpool Premiere Pro Timeline Maker
␡- Adobe Premiere Pro is a timeline-based video editing software application developed by Adobe Systems and published as part of the Adobe Creative Cloud licensing program. First launched in 2003, Adobe Premiere Pro is a successor of Adobe Premiere (first launched in 1991).
- By Nicholas Restuccio Director Tim Miller's Deadpool is action-packed, vulgar (in a good way) and a ton of fun. It's also one of the few Hollywood blockbusters to be edited entirely on Adobe's Premiere Pro.
- Because Fincher on 'Gone Girl' and Miller on 'Deadpool' had so many Dynamic Links in their timeline, obviously there's a limit when you're shooting if 4K, 5K, 6K whatever it may be, once you use a couple of Dynamic Links and they're active and you have both After Effects and Premiere open it bogs down the system, especially with.
- Navigating in the Timeline
Deadpool Premiere Pro Timeline Download
This chapter is from the book
This chapter is from the book
Navigating in the Timeline
When you create a 90-minute video in a Timeline that measures about 4 inches by 8 inches on your monitor (smaller with notebooks), you need to be facile at zooming in and out, moving around, and arranging (and rearranging) Timeline components.
As with most panels in Premiere Pro, you can maximize the Timeline within the application by pressing the accent key (`) on the keyboard (to the left of the 1 key and directly above the Tab key). Let's cover some of the most common navigational tools and techniques specific to the Timeline.
To zoom in and out on the Timeline
Do one or more of the following:
- Grab one edge of zoom bar at the bottom of the Timeline or Program Monitor . The pointer turns into a pointer with two arrows. Drag the edge toward the middle to zoom in on the Timeline (and show more detail); drag out from the middle to zoom out and show less detail.
Zooming in with the zoom bar.
- Click the Zoom tool (Z) in the Tools panel . Navigate to the spot on the Timeline that you'd like to zoom in on, and click as many times as necessary to achieve the desired level of zoom . To zoom back out, Alt-click (Windows) or Option-click (Mac OS) . When you're done, click the Selection tool in the Tools panel (or press V) .
Click the region that you want to zoom in on.
Alt-click (Windows) or Option-click (Mac OS) to zoom out.
- Click the Zoom tool (Z) in the Tools panel . Drag a marquee around the area of the Timeline you'd like to zoom in on . When you're done, click the Selection tool in the Tools panel (or press V) .
Use the Zoom tool to drag a marquee around the area you want to zoom in on.
- When you're zoomed in on the Timeline and want to quickly zoom out and see the entire project, press the backslash () key; press it again to return to your initial zoom level.
Adjusting audio and video track space
At various points in a project, you may want to work on video and ignore audio, or vice versa. If you have enough audio or video tracks, some will move out of view in some Timeline configurations. Let's cover some adjustments and navigational tools designed to assist editing in these circumstances.
To reallocate space between video and audio tracks
Deadpool Premiere Pro Timeline Creator
- In the track header area of the Timeline, position the pointer over the dividing line between the video and audio tracks until the height adjustment pointer appears.
Hover your pointer over the line between the video and audio tracks. The adjustment pointer appears.
- Drag downward to hide audio tracks and maximize space for video editing .
Drag downward to maximize video area.
- Drag upward to hide the video tracks and maximize space for audio editing .
Drag upward to maximize audio area.
Deadpool Premiere Pro Timeline After Effects
To show hidden audio or video tracks
- Select the textured grab area of the vertical zoom bar to the right of the video or audio tracks . No special pointer will appear (note on the left that only video tracks V1–V4 are showing).
Grab the vertical zoom bar in the textured grab area. No special pointer will appear.
- Drag upward or downward as required . (Note that video tracks V7–V9 are now visible.)
Drag upward or downward to reveal more tracks.
Moving around in Premiere Pro
We're almost done with these navigational tasks, but there's one more concept to cover: the difference between the viewing window and the location of the playhead. The viewing window is the region in the Timeline that's open for viewing. In previous tasks, you've learned to expand and contract the viewing window and to show and hide the video and audio tracks within it, but not how to move within the window (though I'm guessing that you figured it out for yourself).
To move the viewing window
Grab the textured area on the zoom bar beneath the Timeline and drag it left or right .
To move the viewing window, drag the zoom bar.
Premiere Pro adjusts the viewing window to the selected location.
To move the playhead
Do one or more of the following:
- Drag the playhead to the desired location.
- Use the playback controls in the Program Monitor to play the video to the desired location.
- Press the Home key to move the playhead to the start of the sequence.
- Press the End key to move the playhead to the end of the sequence.
- Press the Left and Right Arrow keys to move the playhead frame by frame (or audio time unit by audio time unit) within the sequence.
- Press the Up and Down Arrow keys to move the playhead from edit point to edit point in the sequence (essentially, clip to clip).
Related Resources
- Book $59.99
Deadpool Premiere Pro Timeline Download
This chapter is from the book
This chapter is from the book
Navigating in the Timeline
When you create a 90-minute video in a Timeline that measures about 4 inches by 8 inches on your monitor (smaller with notebooks), you need to be facile at zooming in and out, moving around, and arranging (and rearranging) Timeline components.
As with most panels in Premiere Pro, you can maximize the Timeline within the application by pressing the accent key (`) on the keyboard (to the left of the 1 key and directly above the Tab key). Let's cover some of the most common navigational tools and techniques specific to the Timeline.
To zoom in and out on the Timeline
Do one or more of the following:
- Grab one edge of zoom bar at the bottom of the Timeline or Program Monitor . The pointer turns into a pointer with two arrows. Drag the edge toward the middle to zoom in on the Timeline (and show more detail); drag out from the middle to zoom out and show less detail.
Zooming in with the zoom bar.
- Click the Zoom tool (Z) in the Tools panel . Navigate to the spot on the Timeline that you'd like to zoom in on, and click as many times as necessary to achieve the desired level of zoom . To zoom back out, Alt-click (Windows) or Option-click (Mac OS) . When you're done, click the Selection tool in the Tools panel (or press V) .
Click the region that you want to zoom in on.
Alt-click (Windows) or Option-click (Mac OS) to zoom out.
- Click the Zoom tool (Z) in the Tools panel . Drag a marquee around the area of the Timeline you'd like to zoom in on . When you're done, click the Selection tool in the Tools panel (or press V) .
Use the Zoom tool to drag a marquee around the area you want to zoom in on.
- When you're zoomed in on the Timeline and want to quickly zoom out and see the entire project, press the backslash () key; press it again to return to your initial zoom level.
Adjusting audio and video track space
At various points in a project, you may want to work on video and ignore audio, or vice versa. If you have enough audio or video tracks, some will move out of view in some Timeline configurations. Let's cover some adjustments and navigational tools designed to assist editing in these circumstances.
To reallocate space between video and audio tracks
Deadpool Premiere Pro Timeline Creator
- In the track header area of the Timeline, position the pointer over the dividing line between the video and audio tracks until the height adjustment pointer appears.
Hover your pointer over the line between the video and audio tracks. The adjustment pointer appears.
- Drag downward to hide audio tracks and maximize space for video editing .
Drag downward to maximize video area.
- Drag upward to hide the video tracks and maximize space for audio editing .
Drag upward to maximize audio area.
Deadpool Premiere Pro Timeline After Effects
To show hidden audio or video tracks
- Select the textured grab area of the vertical zoom bar to the right of the video or audio tracks . No special pointer will appear (note on the left that only video tracks V1–V4 are showing).
Grab the vertical zoom bar in the textured grab area. No special pointer will appear.
- Drag upward or downward as required . (Note that video tracks V7–V9 are now visible.)
Drag upward or downward to reveal more tracks.
Moving around in Premiere Pro
We're almost done with these navigational tasks, but there's one more concept to cover: the difference between the viewing window and the location of the playhead. The viewing window is the region in the Timeline that's open for viewing. In previous tasks, you've learned to expand and contract the viewing window and to show and hide the video and audio tracks within it, but not how to move within the window (though I'm guessing that you figured it out for yourself).
To move the viewing window
Grab the textured area on the zoom bar beneath the Timeline and drag it left or right .
To move the viewing window, drag the zoom bar.
Premiere Pro adjusts the viewing window to the selected location.
To move the playhead
Do one or more of the following:
- Drag the playhead to the desired location.
- Use the playback controls in the Program Monitor to play the video to the desired location.
- Press the Home key to move the playhead to the start of the sequence.
- Press the End key to move the playhead to the end of the sequence.
- Press the Left and Right Arrow keys to move the playhead frame by frame (or audio time unit by audio time unit) within the sequence.
- Press the Up and Down Arrow keys to move the playhead from edit point to edit point in the sequence (essentially, clip to clip).
Related Resources
- Book $59.99
- eBook (Watermarked) $38.39
- Web Edition $38.39
How do you render in Adobe Premiere Pro?
Rendering your project in Premiere Pro seems way harder than it actually is. But before we start explaining how to render, let's talk about what rendering really is.
If you have a look at your timeline you will see a colored bar above your footage, this can either be red, yellow or green. Red indicates that the playback won't go smoothly at all, this is mainly because the clip has some effects on it and they are hard to process. Yellow labeled clips could cause playback problems but if your pc is decent enough they can also play back smoothly. If the label is green your clip will play back super smooth without any problems.
Rendering can sometimes take a while, that's because the process of rendering is actually a kind of export that takes place in the background.
To render your sequence in Premiere Pro you can head over to the sequence menu and select one of the render options. ‘Render Effect In to Out' is the basic rendering, it's same as pressing the ENTER key. This will make all red labeled clips green. But it doesn't render the yellow labeled clips. ‘Render In to Out' will also render the yellow clips and if you place an in and out point in your timeline you can render a specific portion of it. You can also render your audio if you have some effects on it.
If you have problems with the rending or your footage has suddenly got some glitches, you can always delete the render files.
Cool, but I want to learn even more.
I'm glad you're so enthusiastic. As you may know already we do not only make weekly tutorials, we also make high quality courses on Skillshare. We explain everything so everyone can understand it. We don't cover boring theory, we go strictly to the point and dive straight into real situations and practical examples. So if you want to learn even more about Adobe Premiere Pro, Adobe After Effects, Color Grading, Lighting,… Head over to our Skillshare page. The first 2 months are completely for free and after that it's super cheap. And you also have access to thousands of other courses.
